A new mother clutching her infant while her own mother watches with a smile on her face has a remarkably familiar yet unexpectedly refreshing quality. Shaniece Hairston, who is 32 years old, has entered that profoundly transforming space that simultaneously expands and anchors a person. At the age of 17, her mother, Evelyn Lozada, became a parent. In contrast, Shaniece waited until she was in her early thirties, whether on purpose or not, which gave the family’s story a new beat.
Her first kid, a boy named Blaze Taylor, was born in October 2025. Her revelation was made discreetly through an interview and social media messages that attracted attention for their kindness rather than their celebrity. The baby’s father, rapper The Game, then confirmed it. In an unusually quiet caption, he offered the child’s name and affection: “I love you, son.” He is legally known as Jayceon Terrell Taylor. It was more like to a journal entry than a news cycle.
| Category | Details |
|---|---|
| Name | Shaniece Hairston |
| Date of Birth | June 16, 1993 |
| Current Age | 32 years old |
| Profession | Model, Yoga Instructor, Lifestyle Blogger |
| Family Connection | Daughter of Evelyn Lozada |
| Recent Milestone | Gave birth to son Blaze Taylor with rapper The Game |
| First Media Reveal | Life & Style interview, November 2025 |
| Notable Work | Co-starred in Livin’ Lozada on OWN |
Being a new mother seems to be especially grounding for Shaniece. She talked about something many parents can relate to but find difficult to express in her first formal postpartum interview: the almost chemical pain you get when you’re separated from your child, even for just an hour. “I wonder if he’s okay if I leave him with my mom and go to the gym,” she remarked. Has he eaten? Did he get any sleep? That quote’s vulnerability was blatantly obvious.
Shaniece showed restraint, something that not all people with celebrity status do, by deciding to initially share her pregnancy story on her terms—without jumping into explanations or drawing attention to her relationship. Before allowing others inside, she silently made a space. That pace didn’t feel reactive, but deliberate.
Years ago, when I watched Livin’ Lozada, I noticed the difference between Evelyn and Shaniece. One that is clearly worn and driven by resilience. The other exudes serenity and chooses subtlety over flamboyance. They were extensions of one another rather than diametrically opposed. It’s simple to imagine the same dynamic taking on new forms as we witness that same mother-daughter bond develop into a grandmother-mother relationship.
Being a grandma seems to cause a sort of full-circle amazement in 48-year-old Evelyn Lozada. Her layered Instagram homage to Blaze Taylor was both happy and respectful. She added, “This little blue-eyed angel made me a grandma,” and then included emojis that better conveyed the emotional wave than words could.
Their family’s journey has never been the same. The public, sometimes traumatic, events of Evelyn’s life included broadcast marriages, divorces, and reconciliations. Shaniece, on the other hand, was raised on the periphery of the spotlight, occasionally drawn in but never fully absorbed. She established her own platforms over the last ten years by becoming a certified yoga instructor, creating a beauty and health blog, and modeling for Wilhelmina.
It appears that timing was more important to her than convenience because she chose to become a mother at this time, when her identity feels particularly stable. It was lucidity.
King Justice (17), Cali Dream (14), and Harlem (21) are the Game’s children from previous relationships. He is currently 45 years old. Like his music, his life has oscillated between raw vitality and unanticipated introspection. Although it would take some time for the public to completely comprehend his relationship with Blaze, the early indicators—pictures, captions, and references from family—point to sincerity.
The way this significant family event transpired with no media attention is quite intriguing. It was pleasantly nice because there was no hysteria. No staged hospital photos, no tabloid saturation. Just two grownups carefully and carefully deciding how to mold their new child’s story.
Evelyn’s tone has changed significantly on the internet. She is no longer showcasing her accomplishments in the performative manner that reality TV frequently does. Rather, she is recording emotional continuity: mother becomes grandma, daughter becomes mother, and the cycle repeats, albeit more subtly.
Fans who have followed the Lozadas through tumultuous storylines and advertising campaigns will find that this phase’s message is incredibly effective. Family is still important, but drama is no longer necessary for it to feel important.
A comment from Shaniece about bonding time brought up one really touching moment. She remarked, “Just major skin to skin.” There were no metaphors in those three words. They were authentic. They were heavy. They described evenings that conclude with blankets and weary prayers, and mornings that start with soft lullabies.
From that perspective, her age of thirty-two is more than just a date on the calendar. It provides background. It indicates that she had time to develop, think, and make a decision. Additionally, she is entering parenthood with a certain tranquility that younger parents frequently need to develop over time.
It brought back memories of a time I spent in a Brooklyn yoga studio. Beside her mat, a new mother was practicing with her infant. After fussing and giggling, the infant fell asleep. There was no performance. Life was happening, one moment at a time. I couldn’t tell if I was seeing softness or strength, but then I saw that it was both.
