Reinvention is nothing new to 51-year-old Remee Sigvardt Jackman. The Danish hitmaker, best known by his stage name, Remee, has established a career that extends well beyond the confines of a recording studio. His career has been extremely varied and lucrative, ranging from judging talent competitions on television to working in Copenhagen’s underground clubs.
According to reports, Remee’s annual income has never fallen below 3 million kroner, and although he humbly jokes that he cannot afford a superyacht, his net worth is actually comfortably around $20 million. It’s especially remarkable how naturally that wealth has arisen—not through aggressive business dealings or empire-building, but rather from a steadfast faith in the creative process.
| Name | Remee Sigvardt Jackman (born Mikkel Johan Imer Sigvardt) |
|---|---|
| Birthdate | 8 November 1974 |
| Nationality | Danish |
| Occupations | Songwriter, Producer, Rapper, Composer |
| Estimated Net Worth | Over $20 million USD (as of 2025) |
| Known For | Hit songs, X Factor judge, Social Works co-founder |
| Key Ventures | Music rights catalog, Social Works agency, nightclubs |
| External Reference |
Located in a 700-square-meter creative loft close to Copenhagen’s Magasin du Nord, his recording studio feels more like a showroom for design than a place of business. One corner is anchored by a white grand piano. In another, Remee and his ex-partner Mathilde Gøhler co-founded the marketing platform Social Works, where a group of young creatives come up with ideas for campaigns. Nina Shini Andersen, the director of the firm, has previously been named one of Forbes’ 30 Under 30, and their client roster is a roll call of international renown, including Dior, Garnier, and Audi.
Remee doesn’t flaunt his fortune in spite of the upscale settings and opulent partnerships. Above all, he considers himself an artist. He asserts that everything still revolves around the music. “Give me an hour, and I’ll have something done,” he says, waxing nostalgic about the beginning of a tune in one breath and laughing about how swiftly he can still compose a song in another.
That assurance is not misguided. His repertoire, which includes more than 800 songs registered with Denmark’s copyright agency Koda, brings in a sizable passive income. Every time a song is utilized, whether in commercials, motion pictures, or worldwide remixes, money is returned to the original artist. Fueled by decades of output and savvy rights management, it’s an extremely effective ecosystem. It’s also very durable, particularly for someone who acknowledges that he was never particularly excited about the business aspect.
It’s difficult to ignore the irony. Remee has developed a surprisingly successful company model by being committed to invention. Although he may not be drawn to balance sheets, the rhythms he produces have served as his financial fulcrum. When he mentioned that he never enjoyed calculating money, I seem to recall halting. It was subtly defiant, especially coming from someone whose success encompasses such a broad range of endeavors.
It’s not just music in that portfolio. Media firms, influencer agency, and nightclub endeavors all bear his entrepreneurial imprint. However, the tone never changes from asset to art. Remee seems to float a little differently, driven to energy over ambition, curiosity over conquest, even in his social circles, whose friends include Martin Thorborg, co-founder of Jubii, and Christian Stadil of Hummel.
He could have easily taken a different course in his early life. Remee was abandoned as a baby outside a police station. Her parents are a young Danish mother and a Caribbean father. When he was just three months old, his biological mother, who had been diagnosed with mental illness, vanished from his life. He found out she had been murdered when he was twelve years old, a horrible tale he still bears with dignity.
He was raised by devoted adoptive parents in Solrød and never experienced deprivation. However, the feeling of longing—the mark of that abandonment—never completely disappeared. Rather, it transformed into something constructive and ultimately served as the inspiration for his music. Writing songs became into a compass and an outlet. And eventually, perhaps, a sort of subdued atonement.
He talks candidly about being adopted. With transparency, not with resentment. Some followers believe that he has become more than just a public figure because of his openness to expose these aspects of himself. rooted. transparent. It’s a quality that seems uncommon and especially useful in a field that relies heavily on deception.
He had a daughter by the age of 23. His relationships have developed over the years, including a proposal to longtime companion Gøhler, but they have been surprisingly quiet. He hasn’t been engulfed by stardom. Yes, it has followed him, but according to his wishes.
Remee is still writing, recording, and building in his early fifties. He’s making things more out of a desire to continue building environments that feel alive than out of need. places where young artists can flourish. where purpose is more important than splendor in defining luxury.
It’s simple to misinterpret artists who excel in a variety of fields. It would seem that Remee planned every step. However, if one looks closely enough at his career, it becomes clear that his best financial choices were made based on gut feeling rather than spreadsheets.
